To Breathe or Not To Breathe
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To Breathe or Not To Breathe. Is that a question or a battle between old school voice training and cutting edge contemporary vocal technique? It may be both.
Sing Like You Speak™ (cutting edge contemporary vocal technique) offers an exercise to make diaphragmatic breathing a habit. It’s called the candle exercise. A new student asked me if the candle was supposed to flicker but never go out or if the candle was supposed to be extinguished with every blow.

I was very surprised by this question because I had forgotten – probably buried it along with other antiquated singing technique ideas – that some traditional vocal training asks the trainee to ‘conserve’ breath when singing. Personally, I am horrified by this outdated and harmful vocal training.
Let me explain. We’ll do a little candle exercise together. Your thumb becomes the candle, placed sternum height about 6” from your body. With 3 quick, powerful blasts of air, blow out the candle. Feel which part of your body is doing the work to move the air. Yes, you feel the abs doing the work, just as they were meant to.
Let’s try the exercise as traditional vocal technique asks you to. Your thumb becomes the candle, placed sternum height about 6” from your body. Now say, sing like you speak, being careful that the ‘flame’ flickers but does not go out. Yes, you feel yourself holding breath and creating tension in your instrument – your body. ADDING TENSION to an already scary process!
Now let’s go back to Sing Like You Speak™ Candle Exercise. Your thumb becomes the candle, placed sternum height about 6” from your body. This time we’ll add sound. With 3 quick, powerful blasts of air saying ‘sh, sh, sh’, blow out the candle. Again, your diaphragmatic breathing is working properly without any physical or mental effort on your part. That is how it should be!
Focusing on your makeshift candle teaches you to breathe diaphragmatically without ever thinking about diaphragmatic breathing. You are simply asking your body to respond to the need to blow out a candle. It works because the natural response of the body is to breathe diaphragmatically.
Sing Like You Speak™ Candle Exercises make diaphragmatic breathing a habit. They encourage the breath to move quickly and efficiently along the specific path opened on inhale.
The human instrument is brilliant. And if you ask it in the right way, it will obey with brilliance and beauty. Breathing is a constant cycle of inhale – exhale. Use the breath, release it with your voice and you will find vocal freedom.
For more information about Sally Morgan and Sing Like You Speak™ visit Sing Like You Speak.com and VocalPowerTools.com.


June 26, 2011 pm30 5:21 pm
Sally, your contrast of the two forms of candle and breath are a bit confused. In the second example, “Old School,” you are teaching the student to build a sense of control and that is the point. It isn’t harmful at all. Control is vital as I am sure you would agree. If you really believe it is harmful, can you elaborate?
June 27, 2011 pm30 11:40 am
Hi Trish, thanks for your comment. I disagree with your statement that holding or conserving breath is not harmful.
Whenever you conserve or constrict the natural flow of breath through the instrument, you are causing muscular tension. The point is to make the breath more efficient by teaching the proper path for breath and sound to follow. Using the consonants and speech kicks in the lower abs to help with the release of breath and sound.
By allowing the body to work naturally, which is a constant flow of breath in and out, the instrument begins to work very well without any holding, putting or placing.
In short, muscular tension is the enemy to vocal freedom. The sense of control comes from knowing your instrument intimately and having a solid process to follow for every inhale and every exhale.
For more info download the free video lesson from this site. I believe it’s all about the candle exercise.